Why car hifi should be taken seriously

Andy Kerr 06 August 2009 14:51


How many hours do you spend in your motor each week? It’s small wonder so many cars offer upgraded hi-fi systems these days – and often, the sound on offer is a revelation

If you think upgraded car audio is all about sound-off competitions and battered Beemers booming their way down the high street, you’re out of date.

Serious car hi-fi is one of the biggest growth areas in audio right now, with respected brands such as Bang & Olufsen, Bowers and Wilkins, Dynaudio and Naim working alongside some of the most illustrious names in motoring to deliver sound quality even a hardened audiophile would consider impressive.

So why is this happening? According to Richard Leopold, Bentley’s head of product marketing, “A few years back there was a lot of talk about people being able to use their cars as somewhere to work – but in reality, our cars are being used as an escape route from the hustle and bustle.

"In that sense, the audio experience 
is a big part of the pleasure factor. You can listen to music without being distracted by other sources of sound and, of course, you’re also able to benefit from a very controlled environment”.

Sound is important once again
Naim’s managing director Paul Stephenson concurs: “Sound quality used to be great in cars. I remember listening to in-car valve radios that were superb. But somehow, over the years, sound got worse; it became less of a priority. 
"Now, it’s coming to the fore again”.

So, what drives a car manufacturer to approach an audio brand in the first place? In some cases, it’s a simple case of choosing a name that prospective buyers are likely to identify with: it’s no surprise that Bose, surely one of the most well-known names in audio, has also achieved such success in the car audio business, and to an extent Bang & Olufsen’s rise to prominence is equally easy to understand. But what of Bowers and Wilkins, Dynaudio and Naim?

“We searched for a natural technical partner, and Bowers and Wilkins met our requirements perfectly,” says Matt Jones, Jaguar technical specialist for audio systems. “We wanted an audio system with no compromise, one that could transparently play back any material faithfully. We realised that, from the start, the audio team at Bowers and Wilkins wanted to deliver exactly the same thing.”

High-quality, hand-crafted and engineering-led

Bentley’s infotainment manager Ian Kendall agrees: “A key task was finding the right partner to deliver our vision. We wanted someone with high-quality, hand-crafted, engineering-led solutions, and Naim seemed an ideal fit. The fact that they were British and relatively local was helpful, too. And we’re immensely proud of the results. What we’ve created is a hi-fi in a car, not a car hi-fi in the traditional, clichéd sense”.

Packaging's the problem...
Once the correct technical partnerships are in place, it’s time to address the key obstacles  to delivering good sound in a car. Some of these are obvious – noise, for example – but by far the biggest hurdle is packaging. Here, a lot depends on how early in the day any prospective audio system can be planned into the development process of the car itself. 

According to Naim’s Stephenson, “When we first got involved in the Bentley project, it was almost a finished chassis, so most speakers were in a pre-defined position. Kendall adds: “We had to work around the speaker location constraints that were already there in our existing cars. You might find it hard to believe, but there’s a lot of stuff to get into a car like this. However, as we look to carry on this process in future cars, we’ll be able to bring Naim’s expertise into our designs at an earlier stage.”


The Bowers and Wilkins development team encountered similar issues working on Jaguar’s XF saloon, but in the striking new XJ luxury car (above) things are set to be very different.

Says Jones: "In the past, we've designed a car and then added speakers. This time we haven’t done that: from day one, we’ve worked to create a fully integrated system”.

...Positioning is the key
Stuart Nevill, applied research engineer at Bowers and Wilkins, echoes that: “With the XJ, we had a large influence in key factors such as speaker location, as can be seen in the final design of the car’s cabin. We were able to put our speakers in the near-optimal locations to provide ideal soundstaging, complete with large grilles that don’t obstruct the sound at all”.


B&W's distinctive Kevlar drivers in the new Jaguar XJ

This apparently simple development should confer huge benefits. A car’s interior actually offers loudspeaker engineers some advantages: its acoustic space –the total volume of air that the loudspeakers have to drive – is constant and predictable, as is the acoustic make-up of the space itself.

To ensure that this advantage 
is fully exploited, you need to place speakers where acoustics dictate they should best work, which doesn’t always sit well with the aesthetic and packaging considerations facing car designers.

But not with the new Jaguar: according to Jones, “Getting all 20 speakers in their ideal locations really sets the foundation for what we’ve delivered with this car”.

Of course, even if the speakers are correctly located, you might not be. Here, DSP (Digital Signal Processing) can help, by working to shift the soundstage to the driver’s advantage.

Bentley is proud of the ‘Naim Audiophile’ mode it offers: it provides the most recognisably ‘hi-fi’ sound we’ve heard in a car – and one that should impress even a hard-nosed enthusiast.   


Jaguar is equally bullish about the new XJ’s powerful suit of DSP and surround processing (as a world-first in a car, it offers Dolby Pro-Logic IIx and DTS Neo:6 modes), but it’s the Audyssey MultiEQ XT equalization, as found on high-end AV amps, that should help lift this system on to an even higher plane.

We’ll be the first to test it later this year – watch this space.

This article, along with reviews of in-car systems from VW and Volvo to Jaguar and Bentley, appears in the new issue of the What Hi-Fi? Sound and Vision Ultimate Guide to High End Entertainment, on sale now.

You can find it at Asda, Borders, Sainsburys, WH Smith and WH Smith Travel, plus selected independent newsagents.

Or you can subscribe online.

Comments

SpiceWeasel August 14, 2009 22:37

My Pioneer head unit has Audyssey MultiEQ XT and the difference this makes once set up is unbelievable. The best £450 I have ever spent.

Speaker positions in the car can have a huge effect on sound quality. My front speakers are burried in the footwells with the tweeter in the door card. The installer commented once he set up my system that it was capable of much higher sound quality if it wasn't for those pesky front speaker locations. To improve on what I have now I would have to get proper door builds to get the speakers in a more optimal position.

You would be amazed at what can be achieved if you spend your money wisely on decent kit.

I still have my old Denon car amp that I paid £500 for a good 10 years ago, rare as hens teeth these days though but amazing sound quality for the money. http://translate.google.co.uk/translate?hl=en&sl=ja&u=http://denon.jp/products/DCA760BL.html&ei=t9WFSqzOFciNjAeqj5CiCw&sa=X&oi=translate&resnum=3&ct=result&prev=/search%3Fq%3Ddenon%2Bdca-760bl%26hl%3Den%26safe%3Doff%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-GB:official%26hs%3DuJP%26sa%3DG

SpiceWeasel August 14, 2009 23:11

Forgot to mention my old Denon amp also had balanced inputs, as well as standard connections. Sadly the matching Denon head unit at the time cost about £800.

I have had the pleasure of listening to a high end car audio system that had a serious amount of money spent on it. 4 mono blocks powering the front components,2 channel amp powering some hideously expensive tweeters in the front door pillars to lift the soundstage. A monstorous 2kw rms amp running a £1k JL Audio 12" sub. And how did it sound, well it gave my dads friends high end Naim system a serious run for it's money. I had goosepimples within a few seconds of hearing the system, and a smile form ear to ear.... unbelievable. I have never heard such controlled low down bass like that before that can switch to kicking like a mule in an instance. An acoustic Tori Amos track was played next and that took my breath away, it sounded like she was sitting on the dashboard and so much emotion in her voice. We sat there for about 30 mins trying to catch the system out with no luck. It even laughed in the face of Massive Attacks Angel, I will never forget the power and accuracy of the bass on that song through this system.

I asked the shop how much the system cost afterwards and they replied "you don't want to know". The owner of the car had a serious high end home stereo set up and wanted the best possible in his car. Lucky so and so.

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About Andy Kerr

Andy Kerr is Editor of the What Hi-Fi? Sound and Vision Ultimate Guides