I really enjoyed this thread. Thanks very much for a real explanation of how CD data is read and transmitted.
I think the manufacturers have a lot to answer for here. It's clear that when CDs were invented, as an audio storage standard, the CD contains all the data it needs to ensure an error free read can be made. So what excuse do manufacturers have for not properly utilising this and how on earth can they excuse making equipment that doesn't broadcast an accurate bitstream from a CD?
It's a shame that What Hi-Fi don't take up the cause and get a little technical on our behalf. Rather than rating £30k CD players as the best in the world ever, they should be asking why your £200 is not buying a fault free digital read from a disk. What are they spending the money on?
A clear co-axial digital or a clear optical signal should contain as much data as is possible from the disk. Considering how much of this data is meant for error correction and time sequencing (over half from the sound of it) there is NO EXCUSE for the DAC to not reconstruct a perfect analogue sound wave.
Normally I'd say the system should have the ability to ask the transport to check the data. Digital outputs from CD players are one way only but there should be plenty of information in the stream for it not to be necessary to go back and ask again.
So What Hi-Fi, can't you use your influence to get an explanation out of manufacturers as to how they seem to engineer such difference into CD players? It's almost as if they're purposefully sabotaging the technology, that should be fairly faultless at a low cost, just to create an expensive hierarchy of CD players and make the consumer pay more.
Be very interested to hear WHFSV's views and others here. Great thread. (Sorry about this turning into a bit of a rant!)
Samsung PS50Q97HDX || Oppo BDP-83 MultiRegion || Arcam AVR600 || Dali Helicon 400 MkII fronts, C200 MkII centre, Ikon On-Walls || BK Monolith FF sub || Chord & Mark Grant interconnects || Investigating NAS and Streamers next!
